Waves l316 pdf

I've been using Waves limiters since I started working inside of a computer, and this limiter is still my favorite of all time. I use L3 on the sub-master of every stem that I deliver for film and TV scores.

It can take whatever insanity I throw at it and keep everything under control. L3 is the cleanest and brightest, with the most punch. Nothing comes close. Incredibility versatile, not only does it make my tracks sound louder, it makes them sound better! You can really fine-tune your sound with the multiband processing. I rarely use an additional EQ on my stereo bus now that I have the L3. Customize the threshold and other settings to your track.

Waves » Products » Plugins » L3 Multimaximizer. Images Videos Audio. Loading Video Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin. L3 Multimaximizer. Please enable JavaScript in your browser in order to make this website functional. Choose your free plugins here within 72 hours of purchase. Why is limiting needed during mastering? What is the key to effective, tasteful limiting?

And how much is too much? It gives me the control I need to compress a band while not over-compromising my dynamic range. Corrective EQ, limiting and great sounding dither, all in one place. What more could you ask for in a plugin! Since these shows often push the limits of network level specifications, the difference in apparent level and overall punch was immediately noticeable.

In video games, I often use it to control the proximity of a sound so I can achieve an accurate spatial perspective for that sound effect.